Archive for the ‘Artist Profile’ Category

Artist Profile: Ben Ploughman

Sunday, June 19th, 2011

Ben Ploughman is a folk artist from Port au Choix, Newfoundland. He works in wood including recycled driftwood laths to tell stories about Newfoundland and its people.

Last summer I traveled in Newfoundland and Labrador with two friends. One of our favourite activities was looking for icebergs, and here’s one that we saw off the coast of Red Bay, Labrador.

Later we stopped by Ben Ploughman’s studio, but unfortunately it was after hours and he wasn’t there. Some of his work was displayed outdoors, including this wonderful piece, “Great Big Empty Sea.” I totally identified with these iceberg=gazers, and I was glad that the artist had depicted local people. To me, it meant that the thrill of seeing the icebergs doesn’t wear off even when you see them all your life.

I looked up Ben’s website when I returned home. He writes, “The inspiration for my work often comes from a response to critical and crucial events in Newfoundland such as the collapse of the Atlantic cod fishery, a rapid decline in rural population and lack of meaningful employment. Therefore my style and subject matter is strongly influenced by my surroundings in this little corner of the world, rural outport Newfoundland. I consider myself a contemporary self-taught artist just keeping track of what’s going on around me and in the process helping to preserve a piece of our past for future generations.”

Another piece of Ben’s that caught my fancy, since I’m a quiltmaker, is “Homemade Quilts.” This mixed-media piece of made of wood except for the quilts, which are knitted.

You can see Ben’s work in the spring issue of the Canadian art and architecture magazine Arabella in the section “Artists to Collect.” Better yet, visit Newfoundland and meet him in person.


Artist Profile: Virginia McCoy

Friday, May 20th, 2011

Virginia McCoy is a storyteller via painting and illustration. She grew up in northern Ontario of mixed Ojibwe, French and English heritage and now lives in Inverness, Cape Breton Island. Her stories are set in the land of her ancestors, the island where she lives now, and the realm of her imagination.

Working in gouache, watercolour, or oils, Virginia looks carefully at the world and then gives reality a poetic interpretation. The landscape or setting of a piece often becomes a character as important as the main subject, infusing the image with emotion.

In the painting of an old abandoned house that we commissioned from Virginia, titled “Mabou Mountain Road,” the yellow field washes up against the house. It looks like the house will soon be submerged. Who lived in that house and why did they leave it?

“Ocean Front 3001, Revisited” is a stylized, almost abstract image. Virginia says, “The hull of an abandoned boat represents great social change in Inverness over a mere 100 years. A thousand years and melting polar ice does the same to buildings between the edge of my garden and today’s shoreline.” 

In 2004 Virginia had a one-person show at the Cape Breton University gallery called “Becoming White.” She painted her family’s stories going back to the days of her great grandparents to describe “the assimilation affected by the policies and goals of the dominating white European culture.” The paintings also show “the emotions and influences surrounding decisions made in each generation that resulted in a drift from a Native to a European cultural identity.”

Here’s a painting from that show called “The Little Skater.” Virginia sets the scene: “Celina Trottier, my grandmother, graduated from Normal school in the Ottawa valley and took a position at Heron Bay on Lake Superior, teaching on the reserve there. She boarded in the white community and walked to the reserve each day. In the winter she skated across the bay to get to the reserve school.”

So much is conveyed in this piece. To me, it shows the cold wind, the challenge but also exhilaration of the skate across the bay, the strength and determination of the young teacher, and the oneness of all life forms in the winter landscape.

To see more of Virginia’s work see her blog or visit her studio in Inverness.

Artist Profile: Mark Brennan

Wednesday, March 30th, 2011

Mark Brennan is a landscape painter and “nature recordist” who lives in Whitehill, Nova Scotia. He travels into the Canadian wilderness and makes paintings that express his emotional response to the experience.

He says, “I see the landscape as something pure, containing age old rhythms and patterns, and with each painting I seek this ebb and flow of nature that holds us all together, to form our connection to all things wild. I want to light up the eyes of Canadians, to awaken them to this wonderful land, to bring the wilderness home.”

I first became aware of Mark’s work a few years ago when I was lucky enough to spend two days on the jury for selecting art to be purchased by the Nova Scotia Art Bank. We chose one of his paintings, and since then I’ve seen some of his work at the Argyle Gallery in Halifax and on his website. Just recently I learned that he also makes recordings of the sounds of the wilderness. You can go to his other website, wildearthvoices.org, to hear a dawn chorus in the boreal forest, a thunder storm, or coyotes howling.

Here are two of Mark’s paintings. The first, Winter, Whitehill Woods, Nova Scotia, illustrates the season that is just about ending.  The second, April Shoreline, Rocky Lake is what we have to look forward to.

Winter, Whitehill Woods, Nova Scotia

April Shoreline, Rocky Lake

Artist Profile: Deanne Fitzpatrick

Thursday, March 17th, 2011

This is the first in a series of short profiles of artists whose work I like, starting with artists from Atlantic Canada and then probably branching out.

 Well known in the world of rug hooking, Deanne Fitzpatrick is a very creative and busy artist. She grew up in Newfoundland and now has a studio and shop in Amherst, Nova Scotia.  She has published four books, a DVD, and an audio book, she maintains a blog, and she gives many workshops throughout the year, yet she manages to walk five miles most days and work at her rug hooking almost every day.

Deanne introduced herself to me a few years ago when I was at my table at the Mabou Farmers Market and she said a few encouraging words. I’ve seen her work in person at the Nova Scotia Visitor Information Centre in Amherst and on her extensive blog. Here are two of my favourite recent pieces, the first an abstract landscape with glorious colour, and the second a quirky assemblage of houses. Visit her website to see and read more!

Where the Fields Meet the Bay

 

The Shape of the Village